On it. I'll find the pauses in the voiceover, cut them on every track so picture and music stay in sync, then add captions.
The editor
An editor, not a black box. Every cut stays in your hands.
Behind the chat is a full multitrack editor. Every edit the agent makes lands on its timeline, where you can trim, split, move and export it by hand.
Try it — drag the ruler, click a clip, press ⌘.
- transitions
- 19
- caption styles in 4 families
- 25
- top export resolution, rendered in your browser
- 4K
- NLE formats for the hand-off
- 3
01Layouts
Two layouts, one project. Switch with ⌘.
Agent puts the conversation first and docks the preview beside it. Editor is a classic NLE — media, preview and chat above a full-width timeline. Same project, and nothing reloads when you switch.
Agent The conversation first; the preview docks beside it.
Editor Media, preview and chat over a full-width timeline.
Specs
- Layouts
- Agent (default) · Editor
- Switch
- ⌘.
- Left panel
- Media pool · Captions · Transcript · Toolbox & VFX · Settings · Inspector
- Panels
- ⌘J left · ⌘L chat · ⌘K timeline
- Opens in
- the layout you left the project in
- After an agent run
- the preview opens by itself
02Timeline
A real multitrack timeline. Blade, ripple, snap.
Video tracks V1, V2… and audio tracks A1, A2…, like the NLE you know. Everything the agent adds lands here as clips you can trim, split, move and colour.
Specs
- Tracks
- video V1, V2… · audio A1, A2…
- On a video track
- video, images, text, shapes, motion graphics
- Cut
- Blade B · Split at playhead ⇧B
- Ripple
- ⇧-drag to trim · ⇧⌫ to delete
- Snapping
- playhead, In/Out, markers, clip edges · N
- Placement
- overwrite — the dropped clip wins
- Colour labels
- any clip or track
- Project
- 30 fps · 16:9, 9:16, 1:1, 4:3, 3:4 or custom
The timeline edits in overwrite mode. Insert editing, roll, slip, slide and clip speed changes are not in the editor today.
03Transcript
Edit the words. The timeline follows.
Every clip with sound gets a transcript with speakers and the timing of each word. Select words and delete them — the cut happens on the timeline. Pauses show up in the text; filler words go in one pass.
Specs
- Languages
- 18 at best quality · 28 multilingual
- Language
- detected, or pinned by you
- Speakers
- labelled; rename and reassign
- Timing
- every word — click one to jump
- Filler words
- English and Russian, in one pass
- Pauses
- shown in the text; remove to cut
- Export
- TXT · SRT · VTT
- To the agent
- a passage as an @ reference
04Captions
Captions, word by word. 25 styles to start from.
Captions come straight from the transcript and light up each word as it’s spoken. Pick a style, adjust the font, size, colour and position, retime single words on their own lane — then burn them into the video or export a file.
Specs
- Styles
- 25 in 4 families
- Families
- Clean · Karaoke · Editorial · Loud
- Highlight
- the spoken word or the whole line
- Word timing
- a lane under the ruler: drag, split, merge
- Fonts
- 25 families, all with Cyrillic
- Layout
- top, centre or bottom; words per line
- In the video
- burned into the export
- As a file
- SRT · VTT
05Titles and shapes
Titles and shapes. Drawn right on the frame.
Press T for a title and type it right on the preview. Give the text a plate, a shadow, a stroke or a glow. Draw rectangles, ellipses, polygons, stars and lines — or trace any outline with the bezier pen.
Specs
- Text
- font, weight, size, colour, alignment, case
- Styling
- plate · shadow · stroke · glow
- Fonts
- 25 families with Cyrillic, plus your own
- Shape tools
- 6 — rectangle, ellipse, polygon, star, line, pen
- Pen
- bezier: corners, curves, points and handles
- On the canvas
- move, scale, rotate, align, distribute
- Text reveal
- by word, by letter or scramble
- In Final Cut Pro
- titles arrive editable
Your own fonts are the ones installed on your computer, in Chrome and Edge.
06Animation
Keyframes, with easing. Or one click with a preset.
Keyframe opacity, position, rotation, scale and volume on diamond lanes under the clip, with four easing curves. For the everyday moves, ten presets animate a clip in and out with one click.
Specs
- Keyframes on
- opacity · position · rotation · scale · volume
- Easing
- Linear · Ease in · Ease out · Ease in-out
- Lanes
- ⌥-click to add, drag to retime
- Animate presets
- 10, for In and Out
- Presets
- Fade · Grow · Shrink · Slide ×4 · Spin · Twist · Gain
- Audio fades
- the Gain preset or volume keyframes
07Transitions
19 transitions. Drop one on a cut.
Dissolves, slides, pushes, wipes and a zoom, each with a live preview as you hover it. Drop one on a cut and drag its edges to set the length; the sound crossfades with the picture.
Specs
- Transitions
- 19 in 5 groups
- Groups
- Dissolve 5 · Slide 4 · Push 4 · Wipe 5 · Zoom 1
- Apply
- drag onto a cut
- Length
- drag the edges, or pick a preset
- Audio
- crossfade across the cut, on by default
- Render
- the preview matches the export
08Motion graphics
Motion graphics from a sentence. Written by the agent.
Ask for an animated title, a lower third, a callout, a chart or an intro. The agent writes it and puts it on the timeline as a clip; goframe renders it ahead in the background, so the export stays fast.
Specs
- Ask for
- titles, lower thirds, callouts, charts, intros
- Lands as
- a clip on a video track
- Adjust by hand
- transform, opacity, keyframes, presets
- Change the content
- ask the agent
- Background render
- with transparency, before you export
- Built in
- text reveal by word, letter or scramble
09Media pool
Media that plays from your disk. Cloud Sync when you want it.
Drop in footage and it’s there at once — nothing uploads first, whether it sits on your own disk or on goframe drive, your team’s cloud storage mounted in Finder. Duplicates are recognised, moved files can be relinked, and optional Cloud Sync carries originals up to 50 GB each, so the agent and your teammates can use them.
Specs
- Your files
- play from your disk
- On goframe drive
- open like from any other disk
- Cloud Sync
- optional, off by default
- Per file
- up to 50 GB
- Duplicates
- recognised on import
- Moved a file
- relink one, or a whole folder
- Formats
- MP4, MOV, MKV, WebM, MP3, WAV, AAC, images
- Agent’s media
- its own Agent folder
- Find
- search by name or by the prompt
10Recording
Record into the project. Screen, camera or voice.
Capture your screen with a camera bubble on top, the camera alone, or just your voice. Screen, camera and microphone can land as separate synced tracks, and long takes save themselves in 30-minute parts while you keep going.
Specs
- Sources
- screen · camera · voice
- Camera bubble
- circle or rounded, baked in
- Separate tracks
- screen and camera as two synced files
- Microphone
- on its own track, if you want
- Length
- any, saved in 30-minute parts
- Controls
- 3-2-1 countdown, pause and resume
11Export
Renders on your computer. Or goes to your NLE.
Export renders inside the browser — no upload, no queue: MP4 or WebM up to 4K at 24–60 fps, with transparency if you need it. Or hand the edit to Final Cut Pro, Premiere Pro or DaVinci Resolve as a project file, with captions alongside.
Specs
- MP4
- H.264 · H.265 · AV1
- WebM
- VP9 · VP8 · AV1
- Frame rate
- 24–60 fps
- Resolution
- up to 4K
- Transparent
- WebM or ProRes 4444
- Captions
- burned in, or an SRT file
- Final Cut Pro
- FCPXML
- Premiere Pro
- Premiere XML
- DaVinci Resolve
- OTIO
- Rendered
- in your browser
Project files point to your source media instead of carrying it. Shapes and motion graphics stay in goframe; the export lists what was left out.
12Versions
Every change is a version. Restoring deletes nothing.
goframe saves sessions as you work, snapshots when you name them, and a checkpoint before and after every agent run. Each entry shows what changed; restoring one adds a new version, so where you were stays in history.
Specs
- Kinds
- Session · Snapshot · AI edit · Before AI · Restore
- Before every agent run
- a checkpoint
- What changed
- +2 clips · trimmed 1 · moved 3
- Restore
- non-destructive
- Undo
- ⌘Z · ⌘⇧Z
- Deleted projects
- restorable for 7 days
13Together
Edit one project together. With one shared agent.
Every project is collaborative. Invite people by link as editors or viewers: you see who’s in the project and which clips they have selected, the agent chat is shared, and prompts run one at a time.
Specs
- Roles
- Owner · Editor · Viewer
- Invite
- by link
- Presence
- avatars and selection outlines
- Agent chat
- one per project, shared
- Prompts
- run one at a time
- Viewers
- watch, without editing
14Desktop
The same editor, in its own window. macOS, Windows and Linux.
The desktop app is the editor you know, plus what a tab can’t do: exports that keep going in the background with the computer awake, status in the menu bar or tray, a notification when work is done, and updates that install themselves.
Specs
- macOS
- 12 or later · Apple silicon and Intel
- Windows
- x64 and ARM64 · alpha
- Linux
- .deb and AppImage · x64 and ARM64 · alpha
- In the background
- exports keep going, no sleep
- Status
- menu bar or tray, notifications
- Updates
- automatic
The Windows and Linux apps are in alpha: expect rough edges.
Download the app15Shortcuts and themes
Keys from your NLE. Nothing to relearn.
Pick the Premiere Pro, DaVinci Resolve or Final Cut Pro preset and the timeline answers to the keys your hands already know. Rebind any of 24 actions — conflicts are flagged — and choose one of seven themes.
| Action | Key |
|---|---|
| Split at playhead | ⇧B |
| Blade tool | B |
| Select tool | V |
| Toggle snapping | N |
| Previous marker | ⌘M |
| Clear In and Out | ⇧X |
| Ripple delete | ⇧⌫ |
| Play / Pause | Space |
⌘ is Ctrl on Windows and Linux.
Specs
- Presets
- goframe · Premiere Pro · DaVinci Resolve · Final Cut Pro
- Rebindable
- 24 actions, with a conflict check
- Always
- ⌘. layout · ⌘E export · ⌘Z undo
- Themes
- 7 — six dark, one light
- Timeline
- recolours with the theme
- Interface
- English and Russian
Start with the agent. Finish in the editor.
goframe is in closed beta. Request access, or get the desktop app and sign in with your invite.
Closed beta · invite or waitlistSee the agent