Use cases
Every video starts with a sentence. Then a plan. Then the cut.
Six ready-made workflows for everyday video jobs. Each starts from one prompt, stops for your approval where it matters, and ends on a real timeline you can keep editing.
01Talking head
Pauses out. Captions in.
You got it right on the third take. Between you and a video you can post are forty minutes of ums, restarts and dead air — and captions still to type.
The prompt
Tighten this interview: cut the filler words, long pauses and retakes, then add captions.
What the agent does
- 01
Reads the recording
Transcribes it with speakers and word timing, and checks the sound and framing before it makes a single cut.
- 02
Cleans up the speechYou approve
Cuts filler words, long pauses and retakes by editing the transcript, and smooths every cut so nothing stutters.
- 03
Adds visuals only where they helpYou approve
Plans B-roll or motion graphics for the lines that need them — and asks before anything that uses AI frames.
- 04
Captions the cut
Readable, word-timed captions from the transcript, burned into the export.
- 05
Finishes the sound and exports
Levels the audio, adds fades, checks the cut and renders the file — with a note of how much it removed.
02Product promo
A promo from a link. In your own colours.
You have a product page, not a production budget. A promo means a script, a storyboard, motion graphics and music — and all of it has to look like your product.
The prompt
Make a 30-second promo from our landing page and end on a sign-up card.
What the agent does
- 01
Collects your brand
Takes the logo, colours, fonts, screenshots and copy from the page, so every scene starts from your product.
- 02
Pitches directions, then writes the beatsYou approve
Two or three directions to choose from, then a script in beats: hook, reveal, features, call to action.
- 03
Storyboards every sceneYou approve
Shows each scene and what it will generate. Nothing is generated until you approve it.
- 04
Makes the visuals
Motion graphics over your real screenshots, a music bed and, if you want one, a voiceover.
- 05
Cuts it to the music
Times the scenes to the music, puts your logo at both ends and the end card last — then a check and the export, with a 9:16 version on offer.
In the editor
03Explainer
Script, voice, picture. Approved as it goes.
A good explainer is research, a tight script, a voice and a picture for every line. Most of the work sits between the idea and the first frame.
The prompt
Make a 60-second explainer on how tides work, for a curious twelve-year-old.
What the agent does
- 01
Researches the topicYou approve
Gathers the facts and pitches two or three angles, with one recommendation.
- 02
Writes the narrationYou approve
A script sized to your length, with a visual cue for every line.
- 03
Plans the scenesYou approve
Scene by scene, with what each one will generate. Generation starts only after you approve.
- 04
Generates what’s missing
Motion scenes, the voiceover and a music bed, each checked before it goes on the timeline.
- 05
Assembles and captions
Cuts to the narration, captions it from the voice track, sets the music under the voice and exports.
In the editor
04Shorts and clips
One long video. A stack of shorts.
The best minute of an hour-long talk is somewhere in the middle. Finding it, cutting it vertical and captioning it — then doing it four more times — takes a day.
The prompt
Find the five best moments in this talk and cut them into vertical shorts with captions.
What the agent does
- 01
Mines the transcriptYou approve
Finds and ranks the strongest moments, each with its hook and a title idea. You pick the ones to cut.
- 02
Cuts each clip clean
Edits on the speech, and every clip opens on its hook within the first three seconds.
- 03
Reframes and captions
9:16 by default, captions on every clip, placed where the phone’s interface won’t cover them.
- 04
Checks the batch and exportsYou approve
Reviews the clips side by side, then exports each as its own file with two or three title options.
In the editor
05Podcasts
The episode, in clips. Captioned, ready to post.
The episode is out; the clips never happen. Finding quotable moments means listening back, and an audio-only show has nothing to put on screen.
The prompt
Turn episode 12 into four clips for Reels, with captions and the best quote on screen.
What the agent does
- 01
Finds the best momentsYou approve
Transcribes the episode by speaker, ranks the moments worth clipping and maps the chapters, one pull-quote each. You pick the clips.
- 02
Chooses a look for each clip
The speakers on camera when the podcast has video; an audiogram — a moving waveform, an episode card, the quote in motion graphics — when it’s audio only.
- 03
Assembles the clips
The episode’s own audio, untouched, with the quote timed to the words.
- 04
Captions and exports
Captions on every clip, a check across the batch, and one file per clip.
In the editor
06Localization
Same video. Another language.
A second language usually means a second production: a translator, a voice, new captions, a new timeline. So most videos stay in one.
The prompt
Make Spanish and German versions of this video, with a new voiceover and captions.
What the agent does
- 01
Fixes the transcript first
Corrects what was said, word for word, so the translation starts from the right text.
- 02
TranslatesYou approve
Each language checked against your glossary of names and terms, and fitted to the time each line has.
- 03
Re-voices
A generated voiceover in each language, laid over the original picture.
- 04
Re-captions
New captions built from the new voice track and timed to it.
- 05
Reviews and exportsYou approve
Sync and terminology checked language by language, then one export per language.
In the editor
More workflows
Five more, ready to run. And more in the app.
Name a workflow in your prompt or just describe the video — the agent picks the route. Twelve workflows and 40+ skills in all.
Music montage
Your clips cut to a music track: the agent reads its tempo and sections and builds the edit around them.
Cinematic trailer
A trailer-style cut from your own footage — a mood and an arc first, then the cut, paced to the music.
Mini-documentary
Your interview or event footage stays the backbone; labels, stat cards and diagrams fill the gaps.
Data story
A report or a spreadsheet becomes animated charts, narrated with context and checked number by number.
Screen demo
A raw screen recording, tightened: dead time out, zooms and callouts on the clicks that matter, private data blurred.
Fair questions
Is goframe right for you? Six doubts, answered straight.
Something else on your mind?
hello@goframe.dev
“I’m not an editor.”
You don’t need to be. Describe the video in plain words — the agent plans it, shows you the plan and cuts it on the timeline. Want something different? Ask again, or move the clip yourself.
“I already cut in Premiere or Resolve.”
Keep them. Let the agent do the first pass — pauses out, captions in, a rough assembly — then export the edit as FCPXML for Final Cut Pro, Premiere XML, or OTIO for DaVinci Resolve, with the captions as an SRT file. The media isn’t copied into the file: you relink it in your editor.
Export and hand-off“AI video looks generic.”
goframe edits your footage; it doesn’t swap it for a look-alike. Every change lands on a real timeline: you approve the plan before it starts, see what was added, removed or trimmed after each run, and revert it in one click.
See the agent“My videos are in Russian.”
That works. Transcription covers 28 languages, Russian included, and filler-word cleanup handles Russian as well as English. The interface is in English and Russian, and the agent answers in the language you write in.
“I need a whole team on it.”
Invite people to a project as editors or viewers: you edit it together, share one agent chat and see who’s in the project. Every change goes into the version history, and any version can be restored. For larger teams and companies, write to hello@goframe.dev.
Talk to us“I just want text-to-video.”
Then goframe may not be what you’re looking for. It can generate clips, images, voice and music inside a project, but it’s built to edit on a real timeline — cutting, captioning, titling and exporting — not to turn one line into a finished film.
Describe your next video. The agent takes it from there.
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